The Wire is an independent print magazine covering a wide range of global alternative, underground and experimental music. They've been publishing since 1982.

In this issue: 

• Darius Jones: The New York based composer and saxophonist draws connections between Fluxus and US avant jazz. By John Morrison
• Steve Roach: Synthesizer worship with the Arizona ambient musician. By Ned Raggett; [Ahmed]: Revolutionary grooves from the radically minded Anglo-Swedish-French quartet. By Stewart Smith
• Clarissa Connelly: The Scottish born, Denmark based multi-instrumentalist meditates on myth, memory and modernity via her singular songcraft. By Leah Kardos
• Shovel Dance Collective: The London avant folk ensemble balance the trad and the weird. By Lucy Thraves
• Invisible Jukebox: Ka Baird: Will the New York based artist lose theirBearingswhen faced byThe Wire’s mystery record selection? Tested by Ryan Meehan
• Unlimited Editions: Industrial Coast
• Unofficial Channels: The Rest
• Arushi Jain: The India born synthesist humanises electronics. By Vanessa Ague
• Kulku: Berlin no-age ensemble prepare rare record release. By Oli Warwick
• Harmony Holiday: Backstage with the pioneers of Black music. By Kehinde Alonge
• Richie Culver: Outsider art and working class electronics. By Spenser Tomson
• The Inner Sleeve: Raji Rags on D’Angelo’sVoodoo
• Global Ear: Dublin DIY strategies against economic constraints. By Daniel Baker
• Epiphanies: Aura Satz heeds the siren’s song
• The Wire Tapper 64: A track-by-track guide to this issue’s free CD

London, UK; 230mm x 280mm; 106 pages; April 2024