{"product_id":"mousse-94","title":"Mousse #94","description":"\u003cp\u003e\u003cem\u003eMousse\u003c\/em\u003e covers contemporary art, culture, and critical theory through interviews, essays, exhibition reviews, and columns by leading figures in international criticism, visual arts, and curating.\u003c\/p\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description entry-content\"\u003e\n\u003cp\u003e\u003cstrong\u003eIn this issue: \u003c\/strong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\nIssue #94 of \u003cem\u003eMousse\u003c\/em\u003e considers collective intelligence, the comment, and \"larger-than-ourselves-dynamics.\" Featuring the introduction of \u003cem\u003eThe Gaza Atlas\u003c\/em\u003e (2023-ongoing) by Forensic Architecture, artists Petrit Halilaj and Dahn Vo on the reductive labelling of histories as \"personal,\" Zoé Samudzi on the metabolic urgency of Gabrielle Goliath's work, and more.\u003c\/div\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description entry-content\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description entry-content\"\u003e\u003cem\u003eMilan, Italy; 24x33cm; 256 pages; A1 fold-out poster, Quarterly, Winter 2026,\u003c\/em\u003e\u003c\/div\u003e","brand":"Mousse","offers":[{"title":"1","offer_id":51958647685421,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true},{"title":"2","offer_id":51958647718189,"sku":null,"price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/4097\/3510\/files\/Mousse94_700x974_9fef9b7f-441f-42c8-9c96-de93bf916095.webp?v=1775154982","url":"https:\/\/issuesmagshop.com\/en-us\/products\/mousse-94","provider":"Issues Magazine Shop","version":"1.0","type":"link"}