{"product_id":"little-white-lies-112","title":"Little White Lies #112","description":"\u003cp\u003e\u003cem\u003eLittle White Lies \u003c\/em\u003ebelieves in truth and movies. Since 2005 this indie gem has been championing great movies and the talented people who make them. Each issue is partially dedicated to a single film that \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003einfluences all aspects of the design and editorial. \u003c\/span\u003e Interviews, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ecritical essays\u003c\/span\u003e, cultural analysis, passionate movie reviews, and iconic illustrations throughout. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn this issue: Father Mother Sister Brother\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIssue #112 features lead reviewer \u003cmeta charset=\"utf-8\"\u003eBlake Simons on the the \u003cmeta charset=\"utf-8\"\u003ebittersweet nuance of Jim \u003cmeta charset=\"utf-8\"\u003eJarmusch’s new superlative family saga. Exclusive interviews with \u003cmeta charset=\"utf-8\"\u003ecostume designer Catherine George and \u003cmeta charset=\"utf-8\"\u003ecinematographer Frederick Elmes. A Portrait of the director \u003cmeta charset=\"utf-8\"\u003eJim Jarmusch through his musical contributions and side projects. Plus an essay on the spectral chemistry of his cohorts, casts, and friends. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLondon, England; 20x24cm; 95 pages; Mar\/Apr 2026, bi-monthly\u003c\/em\u003e\u003c\/p\u003e","brand":"Little White Lies","offers":[{"title":"Default Title","offer_id":52027849834797,"sku":null,"price":22.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/4097\/3510\/files\/LWLies112_cover_nospine_01.webp?v=1777408907","url":"https:\/\/issuesmagshop.com\/products\/little-white-lies-112","provider":"Issues Magazine Shop","version":"1.0","type":"link"}