The Wire is an independent print magazine covering a wide range of global alternative, underground and experimental music. They've been publishing since 1982.

In this issue:

• Annea Lockwood: Having explored the outer reaches of sound across a multi-decade career taking in burning pianos, animals and pulsars, the New Zealand composer turns her attention to love and loss. By Louise Gray
• Once Upon A Time In Maida Vale: In 1970s London, Spanish exile Miguel JM García García established a space where anarcho punk and industrial music would flourish. By Nick Soulsby
• Svitlana Nianio: The Ukrainian vocalist and keyboard player approaches folk song with an experimental ear. By Olena Pohonchenkova
• Invisible Jukebox: Gerald Cleaver: Will the US drummer and electronic composer Adjust to The Wire’s mystery record selection – or end up In The Wilderness? Tested by Collin Smith
• Kramer: From Bongwater and Butthole Surfers to Palace, Low and now Laraaji – the US producer, musician and Shimmy-Disc proprietor continues to produce prosthetic memories. By Emily Pothast 
• Unlimited Editions: Guruguru Brain 
• Unofficial Channels: Radio Amnion 
• Coffin Prick: Moog and monotone from the Los Angeles synthesist. By Abi Bliss 
• Ellen Zweig: The New York based composer speaks out. By Robert Barry 
• Goat: Japanese rock gets polyrhythmic. By James Hadfield 
• Ziúr: Digital to physical for the Berlin based producer. By Miloš Hroch
• Global Ear: Bucharest: DIY electronics vs minimal techno in the Romanian capital. By Steve Rickinson 
• The Inner Sleeve: Abdullah Miniawy on Fela Kuti’s Fear Not For Man
• Epiphanies: Sunik Kim and the human nature of Conlon Nancarrow 
• The Wire Tapper 62: A track-by-track guide to this issue’s free CD
• And much more..!

London, UK; 230mm x 280mm; 106 pages; August 2023