Mousse #92
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Mousse is filled with interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today.
Inside this issue
- Survey: Slavs and Tatars
Being One with Many, Being One through Many
“Languages are the closest thing we have to superpowers,” says Payam Sharifi of Slavs and Tatars, here in conversation with Leah Feldman and Kathleen Reinhardt. They examine how symbols and vernacular aesthetics can offer alternative models of belonging outside imperialist paradigms. - From Monobrows to Winter Melons: On the Evolution of Slavs and Tatars
“What Slavs and Tatars imagine is a place open to reading and thinking and resting, where regions can be expansive, and historical connections (and conflicts, and repressions) can resurface without blowing up in our faces.” Kaelen Wilson-Goldie on the collective’s spectrums of possibility across two decades. - Monograph: The Voice of Vessels
“Each of her moving-image works begins with a search and a conversation, and often ends with a song.” Hera Chan on Stephanie Comilang’s documentarian instinct and intuitive connection with her subjects, speaking to complicated—and complicit—histories of exchange. - All Possible Stories
Stephanie Bailey contemplates the melancholy reverberations in Ho Tzu Nyen’s video works and multimedia performances, in which pop or political reality merges with metaphor, and algorithmic editing links elastic fragments in unexpected ways.
Milan, Italy; 235 x 325mm; 248 pages; Summer 2025